Ronnie Cramer


Building a Guitar Effects Pedalboard
* * * *

Gibson S-1 with A-B-C pedalboards A pedalboard is a great way to consolidate all of your guitar effects; it helps reduce wear and tear on the connectors and greatly simplifies setup. I made my first board in the early 1980s and I've built a half dozen more since then. Below you'll find some information about the design and construction of my three newest rigs, which are designated A, B and C to match a three-switch Morley router (R) used to direct the guitar signal.

Here's how the 'A' board came together:

Plans   Plans
Like so many projects these days, this one started out on the computer. I don't have any drafting software, but managed to draw an adequate set of 'blueprints' using MS Publisher.
     
Materials   Materials
The lumber and most of the hardware came from Home Depot, though it did take a supplemental trip to Ace Hardware to complete the shopping list. The final tab was under $50 since I already had all the necessary electronic components.
     
Measuring   Measuring
With tools and materials in place, it was time to translate the drawings into a real 3-D object. The first step was to transfer all the dimensions from paper to wood.
     
Sawing   Sawing
Since my table saw is currently located in my brother-in-law's shop (40 miles away), I decided to complete this project with hand tools. I probably should have sharpened my cross-cut saw before starting!
     
Drilling   Drilling
This design required a lot of holes, in both the pine 1x2s and the half-inch plywood.
     
Drilling   Countersink
Most of the screws used on the board have flat heads, so it was necessary to use a countersink bit on many of the pilot holes.
     
Chiseling   Chiseling
No table saw = no dado blade, so I had to chisel out the access grooves by hand. The good news is that this task didn't take nearly as long as I thought it would.
     
Parts   Parts
Before long all the required pieces were cut, drilled and chiseled.
     
Trial Assembly   Trial Assembly
A test fitting confirmed that everything was proceeding according to plan.
     
Sanding   Sanding
I spent a lot of time with this little implement. Next time I'll get a better grade of wood or borrow a power sander!
     
Painting   Painting
The unit was disassembled and all the parts were laid out for painting. This is the last time we'll see the naked wood.
     
Final Assembly   Assembly
This is the painted board before being covered with electronic gear. The main platform is 24x16 and the upper tier is 18x13x2.
     
Mounting   Mounting
The pedals were mounted from the underside of the board with machine screws. It's easier to make changes if you mount your pedals on top using Velcro, but I've always preferred this more secure method. If I alter the configuration later I might have to drill some new holes, but that's no big deal.
     
Wiring   Wiring
Hmmm...a tight squeeze, but the power daisy chains and instrument cables will be organized and tucked out of sight under the upper tier. The few exposed cables will be tacked down with coax saddles.
     
Surface Mounts   Surface Mounts
The Volume Pedal and the Patch Pad were mounted to the top surface of the board. This was accomplished using some inexpensive shelving hardware.
     
Handles   Handles
Years ago I also built my racks and cases, but this time I designed the pedalboard to fit into an existing commercial flight case. There's no room to spare so these handles will make it much easier to move the board in and out of the case.
     
Power   Power
The power supply units (Harmon Pro and One Spot) are plugged into a Furman PlugLock, which was mounted behind the upper tier. The open area next to the Furman is for cord and footswitch storage while the board is in the flight case.
     
Feet   Feet
Ten rubber feet spread out over the underside of the main section (384 square inches) will keep the pedalboard nice and stable.
     
Finished   Finished
Here's the completed board with all the pedals attached and wired; it ended up weighing just under 26 lbs. fully loaded (39 lbs. in the case). At this point I realized I'd forgotten to keep track of how many hours I invested in the project.
     
Details   Details
This is a closer view showing some of the components. A diagram of the signal chain appears below. An optional three-button footswitch plugs directly into the JamMan and additional effects can be added to the chain via the Patch Pad (see below).
     

SIGNAL CHAIN: Gibson S-1 > Boss TU-2 Chromatic Tuner > Boss SD-1 Super Overdrive > Boss DF-2 Feedbacker Distortion > Boss HR-2 Harmonist > Boss PH-2 Super Phaser > DigiTech Synth Wah > DigiTech XXD Digital Delay > DigiTech Jamman Looper > DOD FX-17 Volume Pedal > Crest Power Amp

Rock Pedalboard

I recently built a new auxiliary unit (above) to replace my 1980s rock board. This new 'B' rig has two tiers but still manages to fit into the 18x13x5 Anvil briefcase shown here. The signal chain diagram appears below.

RC's ROCK SETUP: Gibson S-1 > Boss SD-1 Super Overdrive > Ibanez Tube Screamer > Guyatone WR2 Wah Rocker > Ross Phaser > Boss DM-2 Analog Delay > Boss RC-2 Looper > Boss DD-6 Digital Delay > Crest Power Amp

Two Pedalboards

ABOVE: A photo of the A and B boards being used in conjunction with one another
BELOW: A diagram of the combined A-B signal chain

Gibson S-1 > Boss TU-2 Chromatic Tuner > Boss SD-1 Super Overdrive > Boss DF-2 Feedbacker Distortion > Boss HR-2 Harmonist > Boss PH-2 Super Phaser > DigiTech Synth Wah > DigiTech XXD Digital Delay > DigiTech Jamman Looper > DOD FX-17 Volume/Wah Pedal > Boss SD-1 Super Overdrive > Ibanez Tube Screamer > Guyatone WR2 Wah Rocker > Ross Phaser > Boss DM-2 Delay > Boss RC-2 Loop Station > Boss DD-6 Digital Delay > Crest Power Amp

My new C board is shown here--during and after construction:

Before shot of the 'C' board After shot of the 'C' board

Here's a shot of the A, B and C boards in use:

A, B and C boards in use

And here is a diagram of the combined A-B-C signal chain:

Gibson S-1 > Morley ABC Router > Guyatone OD2+ Overdrive > Guyatone MD3 Delay > Digitech Jam Man > DOD FX-17 Volume/Wah Pedal > Boss TU-2 Chromatic Tuner > Boss SD-1 Super Overdrive > Boss DF-2 Feedbacker Distortion > Boss HR-2 Harmonist > Boss PH-2 Super Phaser > DigiTech Synth Wah > DigiTech XXD Digital Delay > DigiTech Jamman Looper > DOD FX-17 Volume/Wah Pedal > Boss SD-1 Super Overdrive > Ibanez Tube Screamer > Guyatone WR2 Wah Rocker > Ross Phaser > Boss DM-2 Delay > Boss RC-2 Loop Station > Boss DD-6 Digital Delay > Crest Power Amp



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